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NDA Physics · Formula sheet

Sound formulas

4 formulas, 6 reference tables and 25 common traps for NDA Physics Sound, grouped by subtopic.

Full notes with worked examples

Foundations: What Sound Is and How We Hear It

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The human ear — anatomy chain that converts pressure to nerve impulses

PartFunction / mechanismNote
Pinna (outer ear)Funnels sound into the ear canalAcoustic collector — no signal conversion
Eardrum (tympanic membrane)Sound waves →\to mechanical vibrationThin membrane at the end of the ear canal
Ossicles (malleus, incus, stapes)Mechanical amplification & impedance matchingThree tiny bones in the middle ear
CochleaMechanical pressure →\to electrical (nerve impulses)Fluid-filled spiral in the inner ear — the biological mic
NDA 2022 Sep — the pressure →\to electrical converter IS the cochlea (not the eardrum, ossicles, or auditory nerve).
Auditory nerveCarries nerve signals from cochlea to brainTransmission, not conversion
Each stage performs a distinct physical conversion. Distractors swap the cochlea (the converter) with the eardrum (mechanical-only) or the auditory nerve (transmission-only).

Common traps

Sound is longitudinal — and that's exactly why it CANNOT polarize

Polarization is a phenomenon of TRANSVERSE waves only — it restricts the plane of oscillation perpendicular to wave direction. Sound oscillates ALONG the wave direction, so there is no perpendicular plane to polarize. (The full "what sound can/can't do" trap-row table is in Subtopic 3.)

Sound vs light — both waves, but VERY different

Sound = mechanical + longitudinal + needs medium + speed ≈340\approx 340 m/s in air. Light = electromagnetic + transverse + travels in vacuum + speed ≈3×108\approx 3 \times 10^8 m/s. An option offering "sound is electromagnetic" or "sound is transverse" is always wrong.

Amplitude is measured in pressure (Pa), NOT decibels

Amplitude of a sound wave is the maximum displacement of particles (metres) or, more often for sound, the maximum pressure variation (Pascals). Decibels (dB) measure intensity LEVEL — a logarithmic ratio relative to a reference intensity. dB is NOT a unit of amplitude. NDA 2022 Sep tested exactly this distinction.

Loudness depends on amplitude, NOT frequency

A common distractor: "loudness depends on frequency" or "loudness depends on velocity". Both wrong. Frequency drives PITCH; loudness is driven by amplitude. The ear's response curve does have a mild frequency dependence, but for NDA purposes: amplitude only.

Cochlea, not eardrum, is the mechanical →\to electrical converter

The EARDRUM converts sound to MECHANICAL vibration (acoustic to mechanical). The OSSICLES amplify mechanical vibration mechanically. The COCHLEA is where mechanical pressure finally becomes ELECTRICAL nerve impulses. Three distinct stages — distractors often swap them.

How We Measure Sound — v = fλ, Speed, and the Frequency Bands

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Frequency, period, wavelength — and v = fλ

Wave equation

v=fλv = f\lambda
  • vvwave speed (m/s)
  • fffrequency (Hz)
  • λ\lambdawavelength (m)

Speed of sound depends on the MEDIUM — not on f, not on P (at constant T)

Speed of sound in an ideal gas

v=γPρ=γRTMv = \sqrt{\dfrac{\gamma P}{\rho}} = \sqrt{\dfrac{\gamma R T}{M}}
  • γ\gammaadiabatic index (Cp/CvC_p/C_v)
  • PPpressure (Pa)
  • ρ\rhodensity (kg/m^3)
  • TTabsolute temperature (K)
  • MMmolar mass (kg/mol)

Bands and scales — audible / infra / ultrasonic, Mach, sound speeds, decibel, Richter

WhatValue / rangeNote
Audible frequency range (human ear)20 Hz to 20 000 HzDrilled most years — memorise both endpoints
Infrasonic< 20 HzBelow the lower limit of human hearing — whales, earthquakes
Ultrasonic> 20 000 Hz (> 20 kHz)Bats, SONAR, medical imaging — applications in Subtopic 4
Ultrasonic vs audible (same medium)Same speed, higher f, shorter λ\lambdaFrom v=fλv = f\lambda: vv is medium-set; higher f⇒f \Rightarrow shorter λ\lambda
Distractors pair higher frequency with higher SPEED — wrong; speed is set by the medium.
Speed of sound in air (20°20°C)≈340\approx 340 m/sStandard round number — memorise
Speed of sound in water (20°20°C)≈1500\approx 1500 m/sTested in 2019: distractors at 330 / 800 / 5000
Speed of sound in steel≈5000\approx 5000 m/sSolid > liquid > gas
Mach numberobject speed / sound speedCompares object's speed to local sound speed
Mach < 1SubsonicMost everyday motion (cars, propeller aircraft)
Mach = 1Sonic / transonicAt the speed of sound — sonic boom region
Mach > 1SupersonicFaster than sound (fighter jets, Concorde)
NDA 2017 tested exactly this — Mach > 1 means supersonic.
Mach > 5HypersonicRe-entry vehicles, scramjets
Decibel (dB)log scale of intensity ratioUnit of intensity LEVEL — NOT a unit of frequency or amplitude
Richter scalelog scale of earthquake energyDevised 1935 by C.F. Richter; no upper limit (though > 9.5 is rare)
The audible-range endpoints (20 Hz, 20 kHz) and the speed-in-water number (≈1500\approx 1500 m/s) are the most-tested rows — they appear almost yearly.

Common traps

dB measures intensity LEVEL — not frequency, not amplitude

Decibel is a logarithmic ratio of two intensities (or two powers). It is a unit of intensity LEVEL only. Frequency uses Hz, s⁻¹, min⁻¹; amplitude uses Pa (pressure) or m (displacement). Any "which is NOT a unit of frequency" question puts dB as the answer.

3 Hz means 3 cycles per second — full cycles, not half or quarter

Hz is defined as one COMPLETE cycle per second. 3 Hz = 3 complete cycles per second, NOT 6 cycles and NOT 1.5 cycles.

Pressure dependence trap — P only matters via T

"Pressure doubled, speed doubles" is the wrong intuition. The formula v=γP/ρv = \sqrt{\gamma P/\rho} hides the fact that at constant temperature PP and ρ\rho are proportional, so the ratio is fixed. Speed only changes through TEMPERATURE: v∝Tv \propto \sqrt{T}.

Frequency does NOT change the speed of sound

A 100 Hz sound and a 10 kHz sound travel at the same speed in the same air. Frequency only changes the WAVELENGTH (λ=v/f\lambda = v/f) — the same medium-set speed is shared.

Solid > Liquid > Gas (elasticity wins over density)

Naively you might expect dense materials to be slower, but for sound speed elasticity dominates: steel ≈5000\approx 5000 m/s, water ≈1500\approx 1500 m/s, air ≈340\approx 340 m/s. The ordering is monotone.

Audible range: 20 Hz to 20 kHz — NOT 0 Hz to 20 kHz

Distractors often use "0 – 200 Hz" or "200 – 20 000 Hz" or "2 000 – 20 000 Hz" to test whether you remember the LOWER endpoint (20 Hz). Below 20 Hz is infrasonic — you feel it as vibration but don't hear it as a tone.

Speed of sound in water ≈1500\approx 1500 m/s, NOT 5000 m/s (that's steel)

Common distractor swaps water and steel speeds. Water sits in the middle: 1500 m/s. Steel ≈5000\approx 5000 m/s. Air ≈340\approx 340 m/s.

Mach > 1 is SUPERsonic, not SUBsonic

Subsonic = slower than sound (Mach < 1). Supersonic = faster than sound (Mach > 1). Hypersonic kicks in around Mach 5. Easy to flip under exam pressure.

Ultrasonic does NOT travel faster than audible sound

Higher frequency does NOT imply higher speed — speed is set by the medium (this is the Subtopic 2 result). From v=fλv = f\lambda: higher ff only shrinks λ\lambda; vv is fixed.

What Sound DOES — Reflection, Echo, Reverberation, Beats

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Echo — a single distinct reflection

Minimum distance for a distinct echo

dmin=v tpersistence2d_\text{min} = \dfrac{v \, t_\text{persistence}}{2}
  • vvspeed of sound in the medium (m/s)
  • tpersistencet_\text{persistence}ear's persistence threshold ≈0.1\approx 0.1 s
  • dmind_\text{min}minimum reflector distance (m)

Beats — periodic loud/soft from two close frequencies (interference)

Beat frequency

fbeat=∣f1−f2∣f_\text{beat} = |f_1 - f_2|
  • fbeatf_\text{beat}number of beats per second (Hz)
  • f1,f2f_1, f_2the two nearly-equal source frequencies (Hz)

What sound CAN and CANNOT do — the properties checklist

Property / behaviourSound?Why
Reflection (echoes)YesAll waves reflect off a hard boundary
RefractionYesSpeed changes between media ⇒\Rightarrow wave bends
DiffractionYesBends around obstacles when obstacle size ≈λ\approx \lambda
Interference (beats)YesTwo waves superpose — alternating loud/soft
ResonanceYesForced oscillation at the natural frequency
Doppler effectYesObserved pitch shifts with source/observer motion
PolarizationNOPolarization requires a TRANSVERSE wave; sound is longitudinal
The single most-tested NDA trap — "polarization applies to sound" is always WRONG.
Travel through vacuumNONo medium ⇒\Rightarrow no molecular collisions ⇒\Rightarrow no propagation
Ultrasonic obeys all the above the same wayYesUltrasonic = sound above 20 kHz, otherwise identical behaviour
Rows 7 (polarization) and 8 (vacuum) account for the bulk of the bank's "which is NOT correct" distractors. Row 9 catches the "ultrasonic cannot reflect / refract / be absorbed" trap.

Common traps

Ultrasonic obeys the same property rules as audible sound

Ultrasonic = above 20 kHz. Other than the frequency band, it is ordinary sound — it CAN reflect, refract, diffract, get absorbed, AND it cannot polarize / cannot travel in vacuum. A distractor saying "ultrasonic cannot be reflected, refracted, or absorbed" is always WRONG.

Echo is REFLECTION — not refraction, diffraction, or resonance

Refraction is bending across a medium boundary; diffraction is bending around obstacles; resonance is forced oscillation at a natural frequency. An echo is purely a reflection from a hard surface, heard back after a delay.

Round-trip / 2 — sound goes there AND comes back

The formula has a factor of 2 in the denominator because the wave travels the distance twice (source →\to wall →\to source). Forgetting the divide-by-2 gives an answer twice as big as the actual reflector distance.

Reverberation is MULTIPLE reflections — not refraction, not diffraction

The defining property is REPEATED REFLECTION inside an enclosed space. Distractors swap reflection for refraction or use "single reflection" (which would be an echo, not reverberation).

Echo vs reverberation — single vs many, distinct vs sustained

Echo: ONE reflection, heard as a SEPARATE event after a clear delay. Needs reflector ≥17\ge 17 m away in air. Reverberation: MANY reflections, heard as CONTINUOUS persistence. Lives in halls/auditoriums where surfaces are close enough that reflections overlap.

Beats need NEARLY equal frequencies — not equal, not far apart

Equal frequencies (f1=f2f_1 = f_2) give CONSTANT amplitude — no beats. Far-apart frequencies give two distinct tones — no beats. Beats only appear when ∣f1−f2∣|f_1 - f_2| is small enough (typically < 20 Hz) for the pulsing to be heard as separate maxima.

Beat formula gives MAGNITUDE — the sign is ambiguous

From beat-count alone you cannot tell which source is higher. If you hear 4 beats/s against a 440 Hz reference, the string is either 444 Hz or 436 Hz — extra info is needed (e.g. retune slightly and see if beats speed up or slow down).

How We USE Sound — SONAR, Transducers, Musical Instruments

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SONAR, bats, medical imaging — applications of ultrasonic

Acronym / useWave typeApplication / setting
SONARUltrasonic (sound)Sound Navigation And Ranging — underwater distance / submarine / sea-depth
SONAR uses ultrasonic, NOT audible sound — easy distractor.
RADARRadio waves (EM)RAdio Detection And Ranging — aircraft / weather, works through air
LIDARLight / laser (EM)LIght Detection And Ranging — surveying, autonomous vehicles, atmospheric science
Bats / dolphinsUltrasonicEcholocation — emit ultrasonic, receive reflected echo, infer obstacle position
Medical sonography / ultrasound imagingUltrasonicPulse + echo through soft tissue — pregnancy scans, organ imaging
Industrial: defect detection, drillingUltrasonicReflections inside metal reveal cracks; high-frequency vibration drills hard materials
Ultrasonic cleaningUltrasonicHigh-frequency vibrations in a liquid bath dislodge contaminants from delicate parts
All rows 4–7 work by the same principle as SONAR: emit pulse, measure echo, infer geometry. The only difference is medium.

Microphone, loudspeaker — converting between acoustic and electrical

DeviceInputOutput
MicrophoneSound waves (mechanical pressure)Electrical signal
NDA 2022 Sep tested exactly this — distractor swaps sound ↔\leftrightarrow microwaves.
LoudspeakerElectrical signalSound waves (mechanical pressure)
Piezoelectric crystalElectrical signal (or mechanical stress)Mechanical vibration (or electrical signal)
The microphone and loudspeaker are essentially the same device run in opposite directions. The piezoelectric crystal works both ways — it's how SONAR and medical-imaging probes generate ultrasonic pulses.

Musical instruments — how wind, string, and percussion produce notes

Instrument familyVibrating elementPitch determined by
Wind (flute, clarinet, etc.)Vibrating air column inside (and outside) the tubeTube length + open holes (sets the standing-wave wavelength)
NDA 2023 Apr trap — loudness comes from AMPLITUDE / intensity of the air column's oscillation, NOT from "momentum of waves on the blowing jet".
Stringed (guitar, violin)Vibrating string coupled to a resonance boxString length / tension / mass per unit length
Percussion (drum, tabla)Vibrating membrane or solid bodyMembrane tension + size
In all three families, loudness is set by the AMPLITUDE of the vibrating element — bigger displacement = louder. Trap-aware row is the flute.

Common traps

SONAR uses ULTRASONIC, not audible sound

The instinct "SONAR = SOund + NAvigation, so it's sound" is right — but the relevant kind of sound is ULTRASONIC, not audible. Distractor ("audible-range sound") catches students who don't make this distinction.

Bats use ULTRASONIC, not radio waves or microwaves

Bats are biological — they emit and detect sound, not radio waves. Their echolocation calls are in the ultrasonic range (typically 20–100 kHz). RADAR (radio) and microwave-based echolocation belong to technology, not bats.

Microphone is sound →\to electrical, NOT the other way around

Distractors swap input and output, or replace "sound" with "microwaves". Microphone takes acoustic energy in, gives electrical energy out — the SPEAKER is the reverse.

Flute loudness comes from amplitude — NOT momentum, NOT arrival time

Arrival time of the jet pulses sets PITCH (frequency of the air column's oscillation). AMPLITUDE of the air column's oscillation sets LOUDNESS (intensity). "Momentum of waves on the blowing jet" is not how loudness is determined — that wording is a deliberate NDA distractor.

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